Jonas turns thirty and brings his closest friends to a remote cabin in the woods. Martin and Heather, who have always been the group's mum and dad, arrive hiding a secret. They've just broken up. Small tensions grow and one confession triggers another until everyone is forced to be honest in a way they've been avoiding for years. Harsh truths slip out, loyalties blur and everyone begins questioning whether their friendships have survived adulthood. When the night reaches its peak, the group is forced to face the painful possibility that growing up may mean growing apart.

This is the story of the USSR all-star basketball team – European, Olympic and world champions. What does it mean to be at the zenith of fame, at the high-point of their athletic careers, while representing the interests of a totalitarian state? And from today’s point of view, was there a sacrificing of conscience in the name of athletic glory?

How We Used to Live is a British educational historical television drama written by Freda Kelsall and sometimes narrated by Redvers Kyle and John Crosse, both employed as continuity announcers at Yorkshire Television at the time of production. Production began in 1968 at the YTV studios in Leeds. The series traced the lives and fortunes of various fictional Yorkshire families from the Victorian era until the 1960s, in and around the fictional town of Bradley, using self-contained short dramas interspersed with archive footage.

A school teacher with supernatural sensitivities chances upon a pair of ghostly lovers who are trapped in her new home. Reluctant at first, she helps them understand that clinging to the material world is a futile effort, and helps them find a way out.

I Used to be in Pictures is a filmed documentary tracing the early years of film making in Hollywood.

Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.

A burned-out ex-cop travels back in time and teams up with his younger self to catch his father's murderer.

A short documentary on Linda Blair's controversial role in The Exorcist and the problems she encountered when the public seemed unable to separate fact from fiction. Originally aired 19 October, 1996, as part of Channel 4's Fame Factor series.

An impossible love story that begins outside a movie theater, continues in a café and could end with the two protagonists together… if real life wasn’t much more complicated than the movies. United by their love of cinema, these two main characters decide to live the lives they dreamed of and not the lives they are destined to live. In a series of encounters, imagination triumphs over reality and everyday reality takes a back seat.